Allegoric Postcard Union is a temporary alliance of artists Francis Alÿs, Július Koller, Roman Signer, and curator Binna Choi. In its current constellation, Allegoric Postcard Union is an interventionist contribution to the exhibition Collective Creativity on view at the Kunsthalle Fridericianum in Kassel from 1 May till 17 July 2005, which investigates collaborative undertakings in contemporary art. Allegoric Postcard Union introduces subtle, unobtrusive manners of working together by means of producing a set of three postcards depicting images by the involved artists and other collaborators, through which they propose their interpretation of the notion of “we,” of “collectivity,” or “being together.”
The three participating artists belong to different generations and work within various cultural contexts. However, to a great extent they share common sensibilities and concerns in their artistic practice and working methods. It could be said that Alÿs, Koller, and Signer engage in creating situations of empowerment in their work, in which an individual could activate the possibilities of liberating him- or herself from a given socio-political formation in order to imagine another construction of collectivity embodied in preserving the singular in heterogenous coexistence. In Jean-Luc Nancy’s terms, this would establish the possibility of being “singular plural.”
The selected images are extracts of the artists’ performative works in collaboration, and as such function as an aesthetic and political abstraction of the moment. Each depicted scene is carefully directed by the respective artists and performed by a group of people in different political topographies: Alÿs’ in Lima, Peru of 2002; Koller’s in Cicmany, Slovakia (former Czechoslovakia) in 1978; and Signer’s in Kassel, Germany in 1987. Despite the fact that a lot could be deciphered about the actual political climate in which these performances took place, the selected images are situated in a natural landscape or on a background seemingly remote from the direct impact of the contexts by which they are informed. In this respect, Alÿs’ ephemerality and subtlety, Koller’s witty and minimalistic humor, and Signer’s abrupt absurdity might be perceived as effective “tools” for dialogue with the audience. They function as a poetic and political condensation of the moment, suggesting multiple associative narratives or “allegories” as an opportunity to deepen the imaginary (or real) potentials of the collectively shared experience and participation.
Allegoric Postcard Union is a temporary alliance and does not predetermine the duration of its existence. Yet the promise of its sustainability resides in the way that the members constantly find possible contexts and practical grounds to produce new postcards.
Binna Choi,
Member of Allegoric Postcard Union/Curator, BAK, basis voor actuele kunst
Kunstwerken
Francis Alÿs, When Faith Moves Mountains, 2002
Op 11 april 2002 heeft Francis Alÿs samen met Cuauhtémoc Medina en Rafael Ortega in Lima, Peru, 500 vrijwilligers gevraagd om met een schep in de hand één lange rij te vormen zodat een 500 meter lange duin 10 cm van zijn oorspronkelijke plek kon worden verplaatst.
Július Koller, Universal Futurological Question Mark (U.F.O.), 1978
Op 13 augustus 1978 in Ličmany, Slowakije, zaten Július Koller en ongeveer 30 kinderen samen in de vorm van een vraagteken op een met gras begroeide heuvel. *U.F.O. staat voor Universal-Cultural Futurological Operations. Foto: Kveta Fulier-Ová.
Roman Signer, Action for Orangerie, 1987
Op 20 september 1987 in Kassel, Duitsland (de laatste dag van Documenta 8), blies Roman Signer duizenden papiertjes de lucht in waardoor hij een ‘muur’ van witte regen creëerde. Honderden mensen die deelnamen en het publiek vormden, hebben eensgezind de ‘regen’ zien vallen. Film still: Peter Liechti.
15 februari 2023, 10.00-18.00
A series of practical publishing workshops hosted by an active squat and anarchist social center in Amsterdam and organized by the Bookbinding Studio of Sandberg Instituut/Rietveld Academy and Lila Athanasiadou.
Community Portal
4 februari 2023, 13.00-18.00
Using the sancocho (a pan-Latin American soup with no fixed recipe) as a tool for research and encounter, Mercado Lourdes (Bogotá, Colombia) will host and organize a series of field meals. These events activate and connect the multiple affects that have resulted from ongoing research with local producers into the biodiversity of the territory.
Community Portal
16 december 2022, 15.00-17.00
In all continents, people have built matriarchal cosmologies sustained by complex rituals. In the advent of main modern religions and after centuries of colonizing invasions, the goddesses of antiquity were suppressed by the patriarchal structures that consolidated our era. However, they found ways to speak to us in the language of patterns, melodies, and poems. This workshop uses the voice as a method to reveal the presence of goddesses.
Community Portal
27 januari, 18.30–29 januari, 21.00 2023
During these sessions—part of the bASIC aCTIVIST kITCHEN (b.a.k.) program in collaboration with Berend Bombarius, De Voorkamer and BAK, basis voor actuele kunst—we want to collectively explore the topic of setting up community kitchens. Different strategies, tools, methodologies, and contexts are explored to learn more about the challenges and opportunities in the practices and theories of community kitchens.
Community Portal
