until 22 May 2022
No Linear Fucking Time
No Linear Fucking Time* is an exhibition with gatherings, an online publication, and a symposium that unsettle dominant temporalities and model alternate forms of livable time.
Contributors to the exhibition and program include: John Berger with Mike Dibb and Chris Rawlence, Hemali Bhuta, Pauline Boudry and Renate Lorenz, Simone Fattal, Femke Herregraven, Tehching Hsieh, Jumana Manna, Claudia Martínez Garay, Vibeke Mascini, Jean Katambayi Mukendi, Yuri Pattison, Antonio Paucar, Rita Ponce de León, Susan Schuppli, Sissel Tolaas, and Antonio Vega Macotela, among others.
Convened by BAK’s curator of public practice Rachael Rakes with artist-interlocutors Femke Herregraven, Jumana Manna, and Claudia Martínez Garay, as well as writer Amelia Groom, the project calls upon a wide range of practitioners who examine and embody alternate scales, rhythms, and conceptions of temporal experience in order to explore how looking and working beyond linear, progressive, and globally-synchronized time can contribute to a more plurally-determined and sustainable existence. The project explores concepts such as “deep time,” “seed time,” “ancestral time,” “cyclical time,” “local time,” “crip time,” “queer time,” and “non-human time” in order to imagine escapes from the programmatic movement of capitalist modernity toward ostensibly inevitable catastrophe.
Convened by BAK’s curator of public practice Rachael Rakes with artist-interlocutors Femke Herregraven, Jumana Manna, and Claudia Martínez Garay, as well as writer Amelia Groom, the project calls upon a wide range of practitioners who examine and embody alternate scales, rhythms, and conceptions of temporal experience in order to explore how looking and working beyond linear, progressive, and globally-synchronized time can contribute to a more plurally-determined and sustainable existence. The project explores concepts such as “deep time,” “seed time,” “ancestral time,” “cyclical time,” “local time,” “crip time,” “queer time,” and “non-human time” in order to imagine escapes from the programmatic movement of capitalist modernity toward ostensibly inevitable catastrophe.
Alternate forms of livable time
No Linear Fucking Time aims to isolate the abstract, progressive conception of time in terms of its fundamental role in colonization, exploitation, and cultural flattening, and its foreclosure of equities and agencies for a range of cultures and beings. When time is seen instead as the co-extant unfolding of relations, sensitivities might be honed toward other avenues of the possible. The project posits that just as time has been a homogenizing imperial force, the rethinking of time can be a key function of anti-colonial presents.
The artists in the project each deal with critical conceptions of time in their own work, through drawing, painting, formed and found objects, machines, documentary and moving image practice, and a variety of creative visual and textual speculations. Artist-interlocutors Herregraven, Manna, and Martínez Garay present newly-commissioned work and also act as co-researchers and programmers, participating in convening events and bringing the broader field of theirs and related research together. Alongside them are several practitioners whose works will be presented in the exhibition through discursive and performative events. Three projects unfold additionally in off-site Utrecht locations in 2022, in collaboration with artists Mascini, Schuppli, and Tolaas, and partner organizations including Museum Catharijneconvent, Utrecht and others.
Accompanying the exhibition and public program is the latest focus of BAK’s online research platform Nina Valerie Kolowratnik, Black Quantum Futurism, Promona Sengupta, Tiffany Sia, Yuri Pattison, Elizabeth Freeman, JJJJJerome Ellis, Adriana Knouf, Amiri Baraka, Sam Keogh, Elizabeth A. Povinelli, Walidah Imarisha, Jason Allen-Paisant, and Marianne Shaneen, among others.
*The title No Linear Fucking Time derives from the above piece of graffiti, which was found in Oakland, California at the time of the Black Lives Matter protests in 2020. First shared by Esmat Elhalaby on Twitter, it read “No Cops No Jails No Linear Fucking Time,” and quickly became viral, and has since been widely shared via other online media.
As part of No Linear Fucking Time, Vibeke Mascini’s artwork Ray can now be viewed in the St. Catharine’s Cathedral until 22 May.
The artists in the project each deal with critical conceptions of time in their own work, through drawing, painting, formed and found objects, machines, documentary and moving image practice, and a variety of creative visual and textual speculations. Artist-interlocutors Herregraven, Manna, and Martínez Garay present newly-commissioned work and also act as co-researchers and programmers, participating in convening events and bringing the broader field of theirs and related research together. Alongside them are several practitioners whose works will be presented in the exhibition through discursive and performative events. Three projects unfold additionally in off-site Utrecht locations in 2022, in collaboration with artists Mascini, Schuppli, and Tolaas, and partner organizations including Museum Catharijneconvent, Utrecht and others.
Accompanying the exhibition and public program is the latest focus of BAK’s online research platform Nina Valerie Kolowratnik, Black Quantum Futurism, Promona Sengupta, Tiffany Sia, Yuri Pattison, Elizabeth Freeman, JJJJJerome Ellis, Adriana Knouf, Amiri Baraka, Sam Keogh, Elizabeth A. Povinelli, Walidah Imarisha, Jason Allen-Paisant, and Marianne Shaneen, among others.
*The title No Linear Fucking Time derives from the above piece of graffiti, which was found in Oakland, California at the time of the Black Lives Matter protests in 2020. First shared by Esmat Elhalaby on Twitter, it read “No Cops No Jails No Linear Fucking Time,” and quickly became viral, and has since been widely shared via other online media.
As part of No Linear Fucking Time, Vibeke Mascini’s artwork Ray can now be viewed in the St. Catharine’s Cathedral until 22 May.
Opening Program
Friday 3 December 2021, 13–20 hrs
Day Time (in person at BAK)
13.00–16.45 hrs: Possibility to visit the new exhibition, during three available time slots: 13.00–14.15 hrs, 14.15–15.30 hrs, and 15.30–16.45 hrs
Evening (online via Zoom or livestream)
18.30–18.45 hrs Introduction by BAK’s general & artistic director Maria Hlavajova & BAK’s curator of public practice Rachael Rakes
18.45–20.00 hrs Roundtable with artists Femke Herregraven, Jumana Manna, and Claudia Martínez Garay
Visiting the Exhibition
Exhibition No Linear Fucking Time is on view at BAK from 3 December 2021 until 22 May 2022, opening hours Wednesdays–Sundays, 13–19 hrs. It is not necessary to pre-book for your visit, you can purchase a ticket at the door.
Day Time (in person at BAK)
13.00–16.45 hrs: Possibility to visit the new exhibition, during three available time slots: 13.00–14.15 hrs, 14.15–15.30 hrs, and 15.30–16.45 hrs
Evening (online via Zoom or livestream)
18.30–18.45 hrs Introduction by BAK’s general & artistic director Maria Hlavajova & BAK’s curator of public practice Rachael Rakes
18.45–20.00 hrs Roundtable with artists Femke Herregraven, Jumana Manna, and Claudia Martínez Garay
Visiting the Exhibition
Exhibition No Linear Fucking Time is on view at BAK from 3 December 2021 until 22 May 2022, opening hours Wednesdays–Sundays, 13–19 hrs. It is not necessary to pre-book for your visit, you can purchase a ticket at the door.
with: John Berger, Mike Dibb, Chris Rawlence, Hemali Bhuta, Pauline Boudry and Renate Lorenz, Simone Fattal, Amelia Groom, Femke Herregraven, Tehching Hsieh, Jumana Manna, Claudia Martínez Garay, Vibeke Mascini, Jean Katambayi Mukendi, Yuri Pattison, Antonio P
Ecos y PresagiosObserving Timerelated
