Françoise Vergès

political theorist, feminist, and decolonial activist
Françoise Vergès is a political theorist, feminist, independent curator, and decolonial activist. Vergès received her degree in Political Science and Women’s Studies at University of California, San Diego, and finished her PhD in Political Science at
Françoise Vergès Françoise Vergès is a political theorist, feminist, independent curator, and decolonial activist. Vergès received her degree in Political Science and Women’s Studies at University of California, San Diego, and finished her PhD in Political Science at University of California, Berkeley. She has taugh

related


Left: Book cover Vistas of Modernity –
Left: Book cover Vistas of Modernity – Decolonial Aesthesis And The End Of The Contemporary by Rolando Vázquez, 2020 / Right: Françoise Vergès speaking from La Dynamo, Pantin, Paris during the opening of Fragments of Repair, 17 April 2021, image cour
Kader Attia speaking during the opening
Kader Attia speaking during the opening program of Fragments of Repair, view from La Dynamo de Banlieues Bleues, Pantin, Paris, 17 April 2021, photo courtesy of La Colonie
Three-month collective study program La
Three-month collective study program La Colonie Nomade, which was hosted by La Dynamo de Banlieues Bleues in Paris, from 17 April to 3 July 2021
Kader Attia, Reason’s Oxymorons, 2015,
Kader Attia, Reason’s Oxymorons, 2015, video installation, courtesy of the artist, The Hood Museum of Art, Dartmouth College, and Lehmann Maupin, photo: Max Yawney
Kader Attia, Reason’s Oxymorons, 2015,
Kader Attia, Reason’s Oxymorons, 2015, video installation, installation view BAK, basis voor actuele kunst, Utrecht, 2021, photo: Tom Janssen
Wall chart depicting an international ne
Wall chart depicting an international network of avant-garde magazines from the 1920s in the section “Platforms of the Avant-Garde: Der Sturm in Berlin and Mavo in Tokyo” of Hello World: Revising a Collection, Hamburger Bahnhof—Museum für
Online Screening of Oleksiy Radynski’s
Online Screening of Oleksiy Radynski’s Landslide and Interview with Grant Watson