Author(s)
Wendelien van Oldenborgh
For this first session of "In Proximity," an ongoing series featured on Prospections, BAK’s Curator of Public Practice Rachael Rakes enters into a conversation with artist and BAK 2017/2018 Fellow Wendelien van Oldenborgh.
In this first session, which connects to Prospections’s inaugural focus of “Tactical Solidarities,” BAK’s Curator of Public Practice Rachael Rakes enters into a conversation with artist and BAK 2017/2018 Fellow Wendelien van Oldenborgh. Van Oldenborgh’s collaborative filmmaking practice often employs intergenerational and cross-cultural engagements in order to rethink and revise recent histories, thereby injecting new imaginaries into the present. These works of deep research, listening, and questioning are in formation and content a practice of social solidarity.
Throughout this session, Van Oldenborgh traces the ideas and compositions of a few recent works, including Two Stones, 2019, which compares the trajectories of Caribbean activist and writer Hermina Huiswoud and German architect Lotte Stam-Beese; From Left to Night, 2019, which looks back at the London riots of 2011, considering the difference between, or lack of difference between, riot and revolt; and Prologue: Squat Anti-Squat, 2016, which illuminates the under-acknowledged history of squatting actions by the Dutch-Caribbean community in 1970s Amsterdam—born out of necessity in response to racist housing policies—and juxtaposes them with more recent local squatting movements.
This conversation took place on 5 June 2020.
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