Having entered its
culminating phase, FORMER WEST, the transnational research, education,
exhibition, and publication project of BAK will conclude with a major
publication synthesizing its eight year-long efforts. Titled FORMER WEST: Art and the Contemporary After
1989 and edited by Maria Hlavajova (BAK artistic director) and Simon Sheikh (curator and writer, London/Berlin),
the book inquires into the complex relationship between art and the
contemporary from 1989 onwards, probed through the propositional imaginary of a
“former West.” Release March 2017.
|Photo: Francesco D'Amore||/1|
BAK, basis voor actuele kunst, Utrecht is proud to announce that Matteo Lucchetti has been appointed Curator of Exhibitions and Public Programs. Starting from January 2017, Lucchetti joins the BAK team in shaping the program for the institution’s new phase, contributing to the development of its post-academic research program under the name of Institute for the Contemporary.
Italian born, Lucchetti is a curator, art historian, and writer. His main curatorial interests are focused on artistic practices that redefine the role of art and the artist in society. His curatorial projects include: De Rerum Rurale, 16th Rome Quadriennale, Rome, 2016; Don’t Embarrass the Bureau, Lunds Konsthall, Lund, 2014; Enacting Populism in its Mediæscape, Kadist Art Foundation, Paris, 2012; and Practicing Memory, Fondazione Pistoletto, Biella, 2010. In the projects he curated, Lucchetti has worked with artists such as Lawrence Abu Hamdan, Rossella Biscotti, Nástio Mosquito, Marinella Senatore, Jonas Staal, SUPERFLEX, Stefanos Tsivopoulos, Pilvi Takala, and Stephen Willats, among others. Since 2010, Lucchetti also has co-directed, with Judith Wielander, the Visible project, a research endeavor and the first European biennial award devoted to socially engaged artistic practices in a global context, initiated and supported by Pistoletto Foundation, Biella and Fondazione Zegna, Trivero.
Lucchetti has worked as curator in residence at Para Site, Hong Kong; Kadist Art Foundation, Paris; and AIR, Antwerp. He has organized and taken part in several seminars, talks, and debates at various institutions, such as the Centre d’Art Contemporain, Geneva; Steirischer Herbst, Graz; and the Centre for Historical Reenactments, Johannesburg. He lectured as a guest professor at HISK, Ghent; Piet Zwart Institute, Rotterdam; Sint Lucas Antwerpen, Antwerp; and Accademia di Belle Arti di Brera, Milan, and contributed to magazines such as Mousse Magazine, Manifesta Journal, and Art Agenda.
In the publishing line of BAK Critical Readers in Artists’ Practice a publication will be released in 2016 on artists and cultural producers Marion von Osten, titled Once We Were Artists, charting the qualitative changes in the artistic practices in relation to social change in the course of the last four decades.